You can see a photo of the doorway on the CRSBI website. The columns both 'disappear into the floor' without a foot; and the CRSBI call them 'en delit' which apparently means they're not carved from the same block as stands behind them. But whatever, I think they're very slim and elegant and the spirals are lovely. I like the way the Norman carvers were perfectly happy to have a different design on either side of the doorway. I don't think you'd get that kind of asymmetry in any other era. They clearly match and are of the same ilk, but they're different. It's good.
Here's a little sketch of the font, which is superbly squat and short - tub shaped with only a little bit of moulding around the top to decorate it. It's rather symmetrical and very pleasing in its simplicity.
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