Saturday, 23 April 2016

Stockton, Wiltshire

For those that like Norman capitals to their columns (and who doesn't - I mean, who wouldn't, surely) - Stockton turned out to have a huge range. More than you'd expect to find anywhere really. But it was cold in here and hard to draw, and I took photos.







Many degrees of trumpety scallopy 3d-ishness, from the merely incised to the super trumpety. And with a smattering of chevrons and beading also thrown in. Aren't they super. How I love the improvisation on a theme; they're all different but obviously all part of a set.

There was also a Norman font which was sitting in something like a modern wet-room bathroom - elaborately tiled with mosaic by Italian craftsmen, quite strange really. But perhaps apt for a water-related thing like a font. The fish below has an excellently long-suffering expression.


Stockton's font is very scallopy. It was difficult to draw it in the cold, crouching on the tiles. Deeply three dimensional trumpetyness is difficult to convey at the best of times.


Outside we bumped into a local who pointed out what was said to be the original base of the font; this was nestling in the vegetation in a garden near the gate. My photos came out black. But it's worth a quick look if you're there.

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